Saturday, March 08, 2008

SXSW 2008: DAY ONE

Okay, it’s 2:55AM, so I’m going to try and keep this brief. I managed to see 4 movies tonight despite the fact that the film schedule is so unaccommodating. Basically, instead of having 3 simple rounds of films, 7:00 start times, 9:30 start times, and midnighters, the schedule is stacked in a way that makes so that the next film that you want to see determines the film you’re going to see before it. If you really want see the film at 8:00, you better see the one at 6:00 instead of 6:30, regardless of whether or not you want see it.

At any rate, I beat the system tonight by literally running from theater to theater. First off, I saw "Goliath" at the Austin Convention Center. In 1997, the Zellner Brothers made a film called "Plastic Utopia" that was a hit at the SXSW festival that year. Critically well-received and rarely seen, the film had my friend Justin Lincoln in it, playing the role of Corduroy Boy. I enjoyed "Plastic Utopia" very much, so when I saw the Zellners had a new film, it was a no-brainer for me.

"Goliath" is a dark Comedy about a man going through a divorce, who becomes obsessed with finding the one thing he has left from his marriage, his cat, Goliath. At only 80 minutes, the film feels a little slow paced, but it still has the same dark Coen-esque humor of "Plastic Utopia." To my surprise, it also has Justin Lincoln too, playing the divorce lawyer. It was actually a pretty revelation for me, because I recognized his voice before I even saw him on screen. The film also has Willy Wiggins in it as a man who gets fired in a bathroom stall, and the guy who does the introductions at the Austin Film Society Essential Cinema screenings, as a private detective.

Next up was "Ano Una," a film that I actually built up, which made the screening a little tense for me. Nerves aside, this was the best film I saw of the night. Between 2004 and 2005, the director took hundreds, possibly thousands of photos of his surroundings. He then compiled some of the photos into some semblance of a narrative, and then added a voiced-over dialogue. The effect was wonderful and constantly interesting.

I then ran to the Paramount to see "21," the new mediocre Kevin Spacey Blackjack movie. The film is yet another entry into the crowded "Rise to Power/Fall from Grace" genre, not to mention also another movie that tries to make card playing a spectator sport. To quote Hank Hill, "What makes celebrity’s think we want to watch them play Poker?" Also, next year will mark the 10 year anniversary of the death of Kevin Spacey’s career.

Finally, I went back to the Alamo Ritz to see THE ONLY MIDNIGHT MOVIE ON OPENING NIGHT, "Otis." The film is a "Political Film," but also a "Dark Satire" about a 40 year man who kidnaps teenage girls and forces them to take part in High School Football/Cheerleader/Prom Fantasy. The film stars Illiana Douglas, Kevin Pollock (both of whom were in attendance), and Daniel Stern. The twist on the teenage kidnapping set-up is lifted write out of "Fight for You Life," in which the tormented family circumvents Police justice, opting instead for Vigilante justice. It’s a little more complicated than that, but I digress. Overall "Otis" was not that bad though. It’s one of those movies that as it wears on, it takes on its own kind of cinematic logic. As my friend Boyd put it, the more ludicrous it got, the more he warmed up to it as a whole.

Okay, so that was my first night. Time for bed!!

Friday, March 07, 2008

SXSW 2008: Lindstrøm


Imagine, it's 1978 you are at a disco; intoxicated, dancing, the lights are making you hallucinate. The DJ segues from a funky 4/4 string fueled number into Donna Summer's "I Feel Love". The speakers vibrate with a highly syncopated synthesizer arpeggio, you are immediately transported from the dancefloor into outer space. This is what happened to me the first time I heard Lindstrøm's 2005 single "I Feel Space", it introduced me to the Norwegian "Space Disco" sound. Along with Prins Thomas and Todd Terje, Lindstrøm makes music that is a throwback to disco without irony or sarcasm. Having released over 20 singles for Azuli, Smalltown Supersound, Eskimo, Expanded, Modal, Bear Funk and his own Feedelity imprint and just as many remixes; his sound has expanded into a restrained take of Italo Disco meets hypnotic percussion and off the wall synthesizer arrangements and a steady 4/4 beat.
This year, Lindstrøm debuts his new imprint label, Strømland. It's first inaugural release was the Dominique Leone single "Claire". Leone, a writer for Mr. Popkoff's beloved Pitchfork Media, has a full length set for release on May 20th. The single was a stomping vocal house track with wonderful shuffling percussion. The B side to the single featured the track "Clairevoyage", a scorching remix by Lindstrøm collaborating with Mongolian Jet Set. True to the Lindstrøm sound it is hypnotic, repetitive, and infectious pulling Arp, Moog, Fairlight and crazy vocals into the mix.
Lindstrøm will be playing 4 dates during his spring world tour. Austin, Paris,
Mayrhofen, Austria, And Kiev. So you guys better recognize.

Feedelity Records

Lindstrøm Myspace

Lindstrøm will be playing the Smalltown Supersound Showcase
@ the Thirsty Nickel
(325 E 6th St)



Lindstrøm "There's a drink in my room and I need a hot lady" [mp3]

Dominique Leone "Clairvoyage" [mp3]

Lindstrøm "I Feel Space"


---Mr. Mark




Wednesday, March 05, 2008

SXSW 2008: Cryptacize



When Nedelle Torrisi (who has previously toured with Jens Lekman) & Chris Cohen (Deerhoof & The Curtains) watched a YouTube video of percussionist Michael Carrieira elaborately playing a cowbell, California’s Cryptacize was conceived.

With the recent Asthmatic Kitty release of their debut album, “Dig That Treasure,” the trio unloaded an atomic bomb of Super Sweet Minimalistic Pop that most likely demolished the hearts of every Indie Rocker within a 20 mile radius. Their sound is sparse, yet it intricately flows in directions that you would never expect. The songs are beautiful and lighthearted, but never seem cutesy or jokey.

Cryptacize are playing for FREE at End of An Ear (2209 S 1st) on Friday March 14th at 1:00, and again at the Okay Mountain Gallery (1312 E Ceasar Chevez) at 4:00.

They will also be playing their SXSW showcase show at the Central Presbyterian Church (208 E 8th) on Friday March 14th at 11:00pm.




No Coins (mp3)
We’ll Never Dream Again (mp3)

--Popkoff

Tuesday, March 04, 2008

SXSW 2008: Cut/Copy


In 2001, Melbourne's Dan Whitford started Cut/Copy as a solo project to exercise his love of sampling and instrumental hip hop, over the course of the next seven years it has evolved into a full band and blossomed as an homage to bands like New Order, OMD, and ELO.

When I first heard Cut/Copy on their 2005 debut "Bright Like Neon Love" it was apparent to that these guys were walking the dance/rock tightrope common of the time and doing it exceptionally well. The album was solid and cohesive without sounding cliche-which is a feet in itself. If their current single, "Lights and Music" is any indication of what to expect from these guys I'd say they have successfully merged underground 80's disco and electro with modern pop. The sound is HOT.
"In Ghost Colours", the bands highly anticipated second full length was produced by Tim Goldsworthy of the DFA and will be released in April 2008.

Cut/Copy will play at the Karma Lounge as part of the Modular Records showcase Wednesday, March 12 at 12am, and also appear as part of the Rhapsody party on Friday, March 14 at the Austin Convention Center. They are making limited US appearances this leg of the tour so check them out.



Cut/Copy "Lights and Music" (Modular)

"1981" [2001]



"Time Stands Still" [2005]


"Lights and Music" [2008]


-Mr. Mark

Monday, March 03, 2008

SXSW 2008: Dan Sartain


Five years ago, Alabama's Dan Sartain released "Dan Sartain vs. The Serpientes" on Swami Records, a label responsible for not only the reissues of bands like Crime & The Penetrators, but who could also lay claim to more modern faceshredders like Hot Snakes and Drive Like Jehu. With attitude to spare & an ability to slither between Punk, Rockabilly, & Garage influences, Mr. Sartain fit in perfectly alongside his label-mates.

Two years after Sartain's second release, "Join Dan Sartain," he's bringing his wiry frame to Emo's for the Swami Showcase, which also includes the totally badass Seattle punk outfit, The Spits, as well as CPC Gangbangs. The show is on Thursday, March 13th, and Mr. Sartain plays at 10:35.



To quote Dan Sartain's Swami bio, "this guy's more talented than a 1000 talented dudes."

Tryin to Say (WMA) - From "Dan Sartain vs. The Serpientes"
I Could Have Had You (WMA) - From "Dan Sartain vs. The Serpientes"
Drama Queens (WMA) - From "Join Dan Sartain"

--Popkoff

Sunday, March 02, 2008

SXSW HAS GONE CRAZY!!! Death Sentence PANDA! Invades


Seriously though, the day shows this year are ridiculous. The Wedding Present are playing for free at Emo's on Wednesday, March 12th, at 5:15. Motorhead & Napalm Death are playing Stubbs on Thursday for free, and that show sponsored by VICE? Then there's the Mess With Texas Day show, which has expanded to Waterloo park and is offering no less than 30 bands; The Breeders, NOFX, Simian Mobile Disco, Islands, Kimya Dawson, Fucked Up, Matt & Kim, & Abe Vigoda, just to name a few. ShowlistAustin is adding more & more free shows everyday to there already huge catalogue of events, with bands numbering in nearly a 1000. Day shows aside, there are of course plenty of interesting showcase shows going on in the evening, but with that being said, I think that this years line-up is pretty week overall. It's also somewhat derivative of last year's line-up: hell, Jandek is playing the exact same venue in the exact same timeslot that he played last year.

At any rate, the band I'm most excited about seeing is Death Sentence: PANDA! from San Francisco. Ever since the moment I first heard their insane blend of No Wave Noise, Cheerleader shouts, and BOOM BOOM BOOM drums, I needed to see this band. They will finally be arriving in Austin on Thursday March 13th, for the Upset the Rhythm showcase at the Habana Annex Backyard (708 E. 6th St, 21+). They will be playing at 11:20, and will be alongside current hotshits, No Age. If you can't make it in for that show, never fear, because like everyone else, they're playing a day show the next day at Ms. Beas (1104 E 6th St @ Medina St 7pm?).

No Enemies (mp3)
New China Blazer (mp3)



Check back with us tomorrow, we should have another post up.


--Popkoff